![]() Inevitably, these biases also reflect the homogenous pool of programmers and developers who design these algorithms. This data is being fed into diagnostic algorithms that will be used in hospitals in the future. A predictive cancer model in use, for example, uses mammograms from a dataset that’s over 80% white. In some cases, health data is collected from private hospitals in overwhelmingly wealthy white areas. ![]() So began Spicer’s seven-year investigation into the gender, racial, age-based and sexual biases shaping the development and use of artificial intelligence.Īs she says from her home in Sydney, “It is like when you see something and the scales fall from your eyes and you can’t stop seeing it everywhere around you.” It was 7.45am and her son had just seen South Park’s “toon hoon” Cartman bully and harass home robot, Amazon Alexa. In 2016, her then-11-year-old son announced he wanted a robot slave. “Falling into those stereotypes is a huge problem.”Īustralian journalist Tracey Spicer, NSW Premier’s 2019 Woman of the Year for her work in the #MeToo movement and a recipient of an Order of Australia gong, was blindsided by that problem, too. “I wanted to consider why we have – not necessarily a lack of imagination, but a narrow band of imagination when it comes to what we are making AI look like and sound like and do,” says Perkins. Premiered by the Auckland Theatre Company last year, The Made is funny, warm-hearted and chaotic, but it also casts a hard light on the stereotypes that shape the artificial intelligence industry. As Perkins says, “She has a lot of fury.”īut Arie’s sexbot programming limits her emotional capacity to an unflagging happiness. When Alice tries to infuse her robots with emotion, Nanny Ann gains the full gamut of emotional autonomy. She has Nanny Ann, a frumpy, middle-aged humanoid bot charged with childcare and housework.Īnd she has Arie, a new robot built on the chassis of a former sexbot. It’s integrated and interwoven throughout our day.In Emily Perkins’ play The Made, Alice, a 40-year-old AI engineer and sole parent, negotiates the uncharted waters of robot emotions. ![]() It still retains its LED ring around the top, but when it’s not in use, the device coordinates with its surrounding environment rather than standing out from it. The second-generation Echo, for example, comes in three fabric variants (charcoal, heather gray, and sandstone) and two finishes (oak and walnut). These products eschew a plain black exterior, the default for many consumer home electronics, in favor of designs and materials that better match what’s found in your home. Samsung’s Frame TV follows design trends we’re seeing with other connected home devices such as Amazon’s Echo and Google Home. And it includes Samsung’s virtual assistant Bixby for voice-based controls and queries. As a smart TV, it also has Wi-Fi and access to apps like YouTube, Netflix, and Hulu. Of course, it is still a TV, with a 4K ultra-HD display and HDR10+, an upgraded picture standard that allows for more vivid, higher-clarity images, and scene-by-scene brightness adjustment. These bezels attach via magnet, so you can change the feel of your TV as needed. (Alternatively, you can choose a single artwork to stay on screen.) To complete the set’s photo frame effect, you can also choose from four different bezel options (beige wood, walnut, black, and white) so that the Frame TV best coordinates with your living room style. The TV will rotate through these pieces at intervals ranging from 10 minutes to 24 hours. ![]() You can create a playlist of artistic works based on ones you’ve selected or choose ones that match the color scheme of the room the TV is in. You can select and purchase paintings, drawings, photographs, and other works of art for the set, which automatically customizes its screen brightness based on the ambient lighting in the room. The 55- or 65-inch flat screen affixes to a wall, like many TVs do these days, but instead of being an empty black screen when it’s not in use, the device acts like a picture frame, complete with art on display and a virtual, white matte bordering its edges. Samsung’s Frame TV, now in its second generation, is a fresh take on the way the TV fits into the living room.
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